Extreme Long shot : This is an extreme longshot of three people. All you can see is the body shape, but no clear features like there eyes, mouths etc. They have the sea running alongside them, but hardly any clear details within this picture.
Long Shot (Whole body): Shot which shows all or most of a fairly large subject (for example, a person) and usually much of the surroundings. Extreme Long Shot (ELS) - see establishing shot: In this type of shot the camera is at its furthest distance from the subject, emphasising the background. Medium Long Shot (MLS): In the case of a standing actor, the lower frame line cuts off his feet and ankles. Some documentaries with social themes favour keeping people in the longer shots, keeping social circumstances rather than the individual as the focus of attention.
Medium/Mid Shot (Head & Shoulders) : In such a shot the subject or actor and its setting occupy roughly equal areas in the frame. In the case of the standing actor, the lower frame passes through the waist. There is space for hand gestures to be seen. Medium Close Shot (MCS): The setting can still be seen. The lower frame line passes through the chest of the actor. Medium shots are frequently used for the tight presentation of two actors (the two shot), or with dexterity three (the three shot).
Close Up (Just head): A picture which shows a fairly small part of the scene, such as a character's face, in great detail so that it fills the screen. It abstracts the subject from a context. MCU (Medium Close-Up): head and shoulders. BCU (Big Close-Up): forehead to chin. Close-ups focus attention on a person's feelings or reactions, and are sometimes used in interviews to show people in a state of emotional excitement, grief or joy. In interviews, the use of BCUs may emphasise the interviewee's tension and suggest lying or guilt. BCUs are rarely used for important public figures; MCUs are preferred, the camera providing a sense of distance. Note that in western cultures the space within about 24 inches (60 cm) is generally felt to be private space, and BCUs may be invasive.
Extreme Close Up
This is a picture of my eye and eyebrow. This shows how close up the extreme close up shot actually is.
Based on the true life story of thousands of run away and abandoned children on the Romanian streets of Bucharest. This documentary follows five young children and their dangerous fight for survival. Mihai Tudose - Age 12 and her younger brother Ana - Age 10, Cristina (II) - Age 16, Marian - Age 8 and Macarena - Age 14. These young girls have had to disguise themselves as boys in order to be tough and survive living on the streets.
The Reign of Romanian dictator Nicolei Ceaucescu had outlawed the use of birth control as he wanted his nation's population to grow. He encouraged his people to have more children and with nearly 20,000 homeless and abandoned children surviving on the streets of Bucharest, his plan went extremely wrong. These children must beg, fight, steal and improvise to get a daily meal. Most have turned to sniffing paint as a recreational way to bare the pain.
My biggest complaint of this documentary comes with the reading of sub titles. The are placed against bright areas on the screen making them hard to read. For me, I found myself spending too much time trying to read dialog than identifying with the children's grim future. However, you don't need subtitles to recognize these children are street tough and already know what it takes to survive in a world that doesn't want them.
Award: 2000 - Sundance Film Festival - Special Jury Prize
